Posted on

Shifty Budgie Beat Mixtape

In the early 1980s if you persevered, you could seek out marginal South African musicians playing politically subversive and musically innovative music in a few live venues in the major urban areas. Rarely were such musicians ever recorded by conservative record companies afraid to rock the apartheid boat. Into this void entered Shifty Records, a maverick indie record company co-founded by Lloyd Ross. The original studio was housed in a caravan, which allowed for mobility and hence the name Shifty – it could shift from here to there geographically and literally, as it outmanoeuvred state attempts to silence resistant voices.

Between 1983 and the end of the apartheid era in the early 1990s, Shifty recorded many politically outspoken and musically diverse musicians. Shifty was not interested in formulaic bands putting out music which did not in some way reflect their South African heritage. As such Shifty was pivotal in focusing the direction of much resistance music that might otherwise have remained unrecorded and largely forgotten. Some of these musicians, like Mzwakhe Mbuli and Vusi Mahlasela went on to gain national and even international recognition. Others, such as the Aeroplanes and Mapantsula, are only known to a marginal fan base. Nevertheless, their contributions have not been forgotten, as this compilation documents.

Budgie Beat was a compilation cassette released by Shifty Records in 1988 to introduce potential listeners to the Shifty catalogue. It included a cross-section of music released by Shifty, virtually none of which was played on South African radio. The most likely listener would have previously bought one or more Shifty albums, and with an interest in other releases. The title was a pun on ‘budget’, so Shifty hoped that the bargain price would tempt listeners to try it out. At the time of the Budgie Beat cassette release, Shifty ran a promotion on a special low price cassette series which they were referred to as ‘low budgie cassettes’.

If you are interested in any of this music (or in the Shifty catalogue more generally) you can stream or download most of these artists on the Shifty Bandcamp site. In the meantime, enjoy listening!

  1. Pambere – Mapantsula
  2. Hat Check Girl – Aeroplanes
  3. Chillompie – Isja
  4. Houghton Parents – Kalahari Surfers
  5. R45 Perm – Cherry Faced Lurchers
  6. Egg And Bacon Plantation – The Happy Ships
  7. Hakuna Matata – Simba Morri
  8. Wind Up Lollipop – Illegal Gathering
  9. In Detention – Koos
  10. Golden Days – The Kêrels
  11. Cara Monia – Stan James
  12. 1999 – Kalahari Surfers
  13. Slipping Away – The Softies
  14. Brain Damage – Corporal Punishment
  15. Piranha Pie – Draadloos
  16. Ek Gaap – Randy Rambo
Posted on

Capital Radio 604 Listeners’ Top 25

During early lockdown in South Africa, in May/June 2020 former Capital Radio 604 listeners were invited to vote for their favourite South African songs of the 1980s. 18 people submitted their top 20 charts, in order of preference. For this mixtape we have decided to feature the top 25 songs from that chart. Songs were given 20 points if a number one on someone’s chart, all the way down to one point for a song listed at number 20.

Given that songs need to be known (and liked) by several people to be voted onto a chart like this, it is not a surprise that most of these songs are familiar to us, and are songs we would expect to see on an all-time-greatest chart. It is also not unexpected that many artists feature more than once: Bright Blue, Lesley Rae Dowling and eVoid all have two songs, and Juluka has three songs, with Johnny Clegg’s other band – Savuka – featuring a further song. Probably all of South Africa’s 1980s classics are included here. We hope you enjoy listening to them.

In no specific order, they are:

  1. Weeping – Bright Blue
  2. Clowns (See Yourself) – Ella Mental
  3. Shadows – eVoid
  4. Taximan – eVoid
  5. Scatterlings Of Africa – Juluka
  6. Man On The Moon – Ballyhoo
  7. Window On The World – Bright Blue
  8. Paradise Road – Joy
  9. Jabulani – Hotline
  10. Burnout – Sipho Mabuse
  11. Hey Boy – Via Afrika
  12. Here We Are – Face to Face
  13. Once In A Lifetime –Petit Cheval
  14. The Spaniard – Lesley Rae Dowling
  15. December African Rain – Juluka
  16. Slow rain – Celtic Rumours
  17. Johnny Calls The Chemist – Falling Mirror
  18. Ancient Dust Of Africa – Edi Niederlander
  19. Weekend Special – Brenda & the Big Dudes
  20. Baby You Been Good – Robin Auld
  21. Grips Of Emotion – Lesley Rae Dowling
  22. Mysteries And Jealousy – The Helicopters
  23. Lies – Jonathan Butler
  24. Africa – Juluka
  25. Asimbonanga – Savuka
Posted on

Golden Sounds of the ’60s: South African Gems

Embark on a journey through the rich and diverse musical landscape of South Africa in the 1960s with this carefully curated compilation of 12 tracks. This era saw an incredible fusion of traditional and modern musical styles, showcasing the exceptional talents of South African musicians across various genres.

  1. Miriam Makeba – “The Click Song (Qongqothwane)”
    Affectionately known as “Mama Africa,” Miriam Makeba embodied hope and resistance against apartheid. “The Click Song (Qongqothwane)” showcases her vocal prowess, blending her native Xhosa language with an infectious Afro-pop sound that resonated with people worldwide.
  2. Chris McGregor’s Brotherhood of Breath – “MRA”
    Chris McGregor’s Brotherhood of Breath was a leading force in South African jazz, fusing African rhythms with avant-garde influences. Their lively improvisations in “MRA” pushed musical boundaries and contributed to a unique sound that remains influential today.
  3. The Flames – “For Your Precious Love”
    The Flames captivated audiences with their soulful harmonies and heartfelt renditions of popular songs. “For Your Precious Love” highlights their emotive vocals and the impact of American soul and R&B on South African musicians during this era.
  4. Abdullah Ibrahim (Dollar Brand) – “Tintinyana”
    Cape Jazz maestro Abdullah Ibrahim, formerly known as Dollar Brand, combined African rhythms with jazz piano to create a distinctive sound. “Tintinyana” exemplifies this unique fusion, which continues to inspire musicians across generations.
  5. The A-Cads – “Down the Road”
    As one of the first South African bands to embrace rock music, The A-Cads drew inspiration from British and American rock bands of the era. Their lively track “Down the Road” captures the spirit of rock ‘n’ roll in 1960s South Africa.
  6. Spokes Mashiyane – “Banana Ba Rustenburg”
    Pennywhistle virtuoso Spokes Mashiyane pioneered the playful kwela genre. His skillful playing on “Banana Ba Rustenburg” showcases the joyous spirit and danceable rhythms that define kwela music, which remains a beloved South African tradition.
  7. The Invaders – “Shockwave”
    South African surf rock band The Invaders brought the energetic sounds of the California coast to their homeland. Their instrumental track “Shockwave” highlights the band’s skillful guitar work and demonstrates the global influence of surf rock during the 1960s.
  8. Letta Mbulu – “Hareje”
    Jazz singer Letta Mbulu began her career in the 1960s, enchanting listeners with her powerful voice and fusion of African and jazz elements. “Hareje” exemplifies her emotive singing and the rich musical tapestry of South Africa during this time.
  9. West Nkosi – “Mazuzu”
    Saxophonist, composer, and producer West Nkosi played a significant role in popularizing mbaqanga and jive music. His lively saxophone playing and infectious dance rhythms in “Mazuzu” showcase the energy and excitement of South African music during the 1960s.
  10. Winston “Mankunku” Ngozi – “Yakhal’ Inkomo”
    Renowned South African saxophonist Winston “Mankunku” Ngozi left a lasting impact on the country’s jazz scene with his emotive playing and soulful compositions. “Yakhal’ Inkomo,” meaning “The Bellowing Bull,” is a beautiful and evocative piece that showcases his mastery of the saxophone.
  11. The Bats – “Shabby Little Hut”
    The Bats were a South African pop and rock band whose catchy melodies and tight harmonies captivated audiences. Their popular song “Shabby Little Hut” demonstrates the group’s ability to craft memorable tunes that remain beloved classics in South African music history.
  12. Solomon Linda’s Original Evening Birds – “Mbube”
    Though originally recorded in 1939, Solomon Linda’s iconic song “Mbube” continued to have a significant impact in the 1960s. This choral masterpiece features intricate harmonies and a call-and-response structure, providing a glimpse into the rich tradition of African choral music that inspired countless musicians in the decades to come.

This compilation of South African gems from the 1960s offers a window into a vibrant and transformative era in the country’s musical history. As you listen, you’ll experience a range of styles that blend local traditions with global influences, showcasing the innovation and resilience of South African musicians during a tumultuous period. From the soulful melodies of Miriam Makeba to the groundbreaking sounds of Chris McGregor’s Brotherhood of Breath, each track on this mixtape offers a unique perspective on the golden era of South African music. So, sit back, relax, and let these timeless classics transport you to a world of rhythmic bliss and melodic enchantment.

Posted on

Sounds of South Africa: A Musical Journey

As an experiment to find out how much South African musical knowledge it had, we asked the Artificial Intelligence system called ChatGPT to compile us this week’s mixtape. The following is a transcript of our conversation and the result:

Do you know what a “mix tape” is?
Yes, I’m familiar with the concept of a “mixtape.” A mixtape is a compilation of songs or music tracks, typically from different artists and genres, recorded onto a cassette tape or other medium. Mixtapes were especially popular during the 1980s and 1990s when cassette tapes were the dominant format for music distribution. People often made mixtapes to share their favorite songs with friends, or as a personalized gift for someone special. The term “mixtape” has evolved over time and can now refer to a digital playlist or a compilation album released by an artist, although the original concept of a mixtape remains rooted in the idea of curating a collection of songs for a specific purpose or theme.

We would like you to compile a 20 song mixtape to introduce an international audience to the music of South Africa, including a wide range of styles from that country, including – but not limited to – rock, pop, jazz, folk, reggae, mbaqanga, kwaito, and a range of styles to get a broad overview. It is important that all the artists are South African.
I have compiled a mixtape of 20 songs to introduce an international audience to the music of South Africa. This list includes a wide range of styles and genres to provide a broad overview of South African music:

  1. Miriam Makeba – “Pata Pata” (Afro-pop)
  2. Johnny Clegg & Savuka – “Asimbonanga” (Afro-pop, World Music)
  3. Ladysmith Black Mambazo – “Homeless” (Isicathamiya, Zulu A Cappella)
  4. Hugh Masekela – “Grazing in the Grass” (Jazz)
  5. Brenda Fassie – “Vuli Ndlela” (Pop, Kwaito)
  6. The Parlotones – “Push Me to the Floor” (Rock, Indie)
  7. Freshlyground – “Doo Be Doo” (Afro-fusion, Pop)
  8. Abdullah Ibrahim – “Mannenberg” (Jazz)
  9. Mafikizolo – “Khona” (Afro-pop, Kwaito)
  10. Simphiwe Dana – “Ndiredi” (Afro-jazz, Soul)
  11. Yvonne Chaka Chaka – “Umqombothi” (Afro-pop, Bubblegum)
  12. DJ Mujava – “Township Funk” (House, Kwaito)
  13. Mahlathini & the Mahotella Queens – “Kazet” (Mbaqanga)
  14. Die Antwoord – “Enter the Ninja” (Alternative Hip-hop, Rave)
  15. Jeremy Loops – “Down South” (Folk, Acoustic)
  16. Black Coffee ft. Bucie – “Superman” (House, Electronic)
  17. Spoek Mathambo – “Control” (Electronica, Afro-futurism)
  18. BLK JKS – “Molalatladi” (Alternative Rock, Art Rock)
  19. Lucky Dube – “Different Colours/One People” (Reggae)
  20. Mango Groove – “Special Star” (Afro-pop, Marabi)

This mixtape covers a variety of genres and eras in South African music, showcasing the country’s rich musical heritage and diversity. Enjoy!

Thank you. Do you know what “sleeve notes” are?
Yes, I am familiar with the term “sleeve notes” (also known as liner notes). Sleeve notes are the written material that accompanies a physical music release, such as an album or an EP, typically found inside or on the packaging of vinyl records, CDs, or cassette tapes. They can provide various types of information, such as:

  • Background information on the recording, composition, or production of the music.
  • Song lyrics.
  • Credits for the musicians, producers, and other personnel involved in the creation of the music.
  • Personal anecdotes or stories from the artist(s) or other contributors.
  • Artwork or photography related to the music or the artist(s).

Sleeve notes offer additional context and insight into the music, and they can help listeners form a deeper connection with the artist and their work. In the digital age, sleeve notes have largely been replaced by digital booklets, which can be accessed through certain music platforms, or by artist websites and social media.

Could you write (approximately 750 words) sleeve notes to accompany your 20 song selection?
Title: “Sounds of South Africa: A Musical Journey”
Welcome to “Sounds of South Africa,” a carefully curated compilation of 20 songs that showcase the rich and diverse musical landscape of South Africa. This mixtape is designed to introduce an international audience to a wide range of styles from this vibrant country, including rock, pop, jazz, folk, reggae, mbaqanga, kwaito, and more. We invite you to immerse yourself in these captivating sounds and explore the unique musical tapestry of South Africa.

  • Miriam Makeba – “Pata Pata” (Afro-pop)
    Known as “Mama Africa,” Miriam Makeba was a legendary singer and activist who brought South African music to the world stage. “Pata Pata,” released in 1967, remains her most famous song and features her distinctive vocal style alongside a danceable Afro-pop rhythm.
  • Johnny Clegg & Savuka – “Asimbonanga” (Afro-pop, World Music)
    Johnny Clegg, often referred to as the “White Zulu,” was a British-born South African musician and anthropologist. “Asimbonanga,” released in 1987, is a powerful anti-apartheid anthem that pays tribute to Nelson Mandela and calls for unity among South Africans.
  • Ladysmith Black Mambazo – “Homeless” (Isicathamiya, Zulu A Cappella)
    Formed in 1960, Ladysmith Black Mambazo is an award-winning male choral group that specializes in isicathamiya, a traditional Zulu a cappella style. “Homeless” was co-written with Paul Simon for his “Graceland” album and showcases the group’s intricate vocal harmonies.
  • Hugh Masekela – “Grazing in the Grass” (Jazz)
    Hugh Masekela was a renowned South African jazz musician and trumpeter. His 1968 instrumental hit, “Grazing in the Grass,” combines elements of jazz with South African rhythms, creating an uplifting and timeless tune.
  • Brenda Fassie – “Vuli Ndlela” (Pop, Kwaito)
    Brenda Fassie, dubbed the “Madonna of the Townships,” was a beloved South African pop and kwaito singer. “Vuli Ndlela,” released in 1997, is a high-energy track that showcases Fassie’s incredible vocal range and infectious charisma.
  • The Parlotones – “Push Me to the Floor” (Rock, Indie)
    The Parlotones are a South African indie rock band known for their emotive lyrics and anthemic sound. “Push Me to the Floor,” released in 2009, features driving guitar riffs and a soaring chorus, making it a standout track in the South African rock scene.
  • Freshlyground – “Doo Be Doo” (Afro-fusion, Pop)
    Formed in 2002, Freshlyground is a multiracial South African band that blends elements of Afro-fusion, pop, and folk. “Doo Be Doo,” released in 2005, is a catchy, feel-good song that celebrates life and the power of music to bring people together.
  • Abdullah Ibrahim – “Mannenberg” (Jazz)
    Abdullah Ibrahim, formerly known as Dollar Brand, is a celebrated South African jazz pianist and composer. His 1974 composition “Mannenberg” is considered a cornerstone of Cape Jazz and serves as a symbol of hope and resilience during the apartheid era.
  • Mafikizolo – “Khona” (Afro-pop, Kwaito)
    Mafikizolo is a South African duo that combines Afro-pop and kwaito elements to create infectious dance tunes. Their 2013 hit “Khona” showcases their signature harmonies and energetic beats, making it an irresistible addition to the mixtape.
  • Simphiwe Dana – “Ndiredi” (Afro-jazz, Soul)
    Simphiwe Dana is a talented South African singer-songwriter known for her Afro-jazz and soul fusion. Her 2004 song “Ndiredi” highlights her emotive vocal delivery and thoughtful songwriting, earning her a place among South Africa’s most respected artists.
  • Yvonne Chaka Chaka – “Umqombothi” (Afro-pop, Bubblegum)
    Dubbed the “Princess of Africa,” Yvonne Chaka Chaka is a South African music icon whose career spans over three decades. “Umqombothi,” released in 1988, is a catchy, upbeat song that showcases her powerful voice and a lively bubblegum pop sound.
  • DJ Mujava – “Township Funk” (House, Kwaito)
    DJ Mujava is a South African producer and DJ known for blending house music with kwaito influences. His 2008 track “Township Funk” features hypnotic beats and syncopated rhythms, making it a dance floor favorite in South Africa and beyond.
  • Mahlathini & the Mahotella Queens – “Kazet” (Mbaqanga)
    Mahlathini, known as the “Lion of Soweto,” and the Mahotella Queens were a groundbreaking mbaqanga group that combined powerful vocals with driving rhythms. Their 1987 hit “Kazet” showcases their unique sound, which helped popularize mbaqanga music both locally and internationally.
  • Die Antwoord – “Enter the Ninja” (Alternative Hip-hop, Rave)
    Die Antwoord is a controversial and provocative South African group that blends hip-hop, rave, and performance art. “Enter the Ninja,” released in 2010, captures their edgy aesthetic and confrontational lyrics, making them a standout act in the South African music scene.
  • Jeremy Loops – “Down South” (Folk, Acoustic)
    Jeremy Loops is a South African singer-songwriter and multi-instrumentalist known for his folk-infused sound. “Down South,” released in 2014, features catchy melodies, heartfelt lyrics, and a laid-back acoustic vibe that showcases Loops’ diverse musical talents.
  • Black Coffee ft. Bucie – “Superman” (House, Electronic)
    Black Coffee is a renowned South African DJ and producer known for his soulful house music. His 2010 collaboration with singer Bucie, “Superman,” combines deep, groovy beats with Bucie’s sultry vocals, creating a captivating dance track.
  • Spoek Mathambo – “Control” (Electronica, Afro-futurism)
    Spoek Mathambo is a South African musician and producer who pushes the boundaries of electronic music with his Afro-futuristic sound. “Control,” released in 2011, is a haunting and experimental track that showcases Mathambo’s innovative approach to music.
  • BLK JKS – “Molalatladi” (Alternative Rock, Art Rock)
    BLK JKS is a South African alternative rock band known for their genre-defying sound that blends rock, jazz, and traditional African music. “Molalatladi,” released in 2009, features intricate guitar work and powerful vocals, making it a standout track on this mixtape.
  • Lucky Dube – “Different Colours/One People” (Reggae)
    Lucky Dube was a South African reggae musician and one of the country’s most successful artists. His 1993 song “Different Colours/One People” is a call for unity and understanding, reflecting the spirit of the post-apartheid era and showcasing Dube’s distinctive reggae sound.
  • Mango Groove – “Special Star” (Afro-pop, Marabi)
    Mango Groove is a South African band that fuses marabi, kwela, and pop music to create a lively and upbeat sound. Their 1989 hit “Special Star” features catchy horn arrangements and infectious rhythms that capture the essence of South African music.

“Sounds of South Africa” aims to provide a comprehensive introduction to the music of this incredible country. The tracks on this mixtape represent a broad spectrum of genres, each with its own unique flavor and cultural significance. South Africa’s music scene is a testament to its rich history, resilience, and diverse heritage, and we hope that this collection inspires you to delve deeper into the sounds and stories of South Africa.

As you listen, you may notice themes of unity, resistance, and hope woven throughout the mixtape. These themes reflect the struggles and triumphs of South Africa’s past and present, showcasing the power of music to connect people across borders and cultures. Whether you’re dancing to the upbeat grooves of kwaito, swaying to the soulful melodies of Afro-jazz, or losing yourself in the hypnotic rhythms of house music, “Sounds of South Africa” offers a musical journey you won’t soon forget.

We encourage you to explore the works of the artists featured on this mixtape, as well as other musicians from South Africa who continue to shape the country’s diverse and evolving musical landscape. Thank you for joining us on this journey, and enjoy the sounds of South Africa!

Thank you. That is excellent work. Could you suggest a prompt to feed to an image generating tool to create a cover image for this mix tape?
Certainly! To generate a cover image for the “Sounds of South Africa” mixtape using an image-generating tool, you can use the following prompt:

“Create an album cover for a mixtape titled ‘Sounds of South Africa.’ The cover should evoke the rich cultural diversity and vibrant musical heritage of South Africa. Incorporate elements such as traditional African patterns, musical instruments, and the South African landscape, blending them together in a visually striking and harmonious composition. The color palette should be warm and inviting, reflecting the energy and spirit of South African music.”

This prompt should provide enough detail and context for the image-generating tool to create an engaging and visually appealing cover image for the mixtape.

Thank you
You’re welcome! If you have any more questions or need further assistance, please don’t hesitate to ask. I’m here to help. Enjoy your South African mixtape, and have a great time exploring the music!

Posted on

April Who’s Fooling Who?

Our April Who’s Fooling Who mixtape focuses on South Africa songs which in some way or another reflect the theme of ‘fooling’. In some songs musicians set out to make fun of others, usually through satire or parody, while on occasions they humorously simply fool around, often in the form of novelty songs which they hope will amuse the audience in some way or another. There are cases where musicians simply make fools of themselves, most often without meaning to, by releasing a song which audiences think is simply cringe-inducing.

Stimela kick off this mixtape with “Who Is Fooling You”, a song which warns people that those who laugh at others as part of their attempt to control them, calling them fools, could in the end be the ones who are laughed at. On this mixtape some musicians have used their songs to poke fun at stupidity, using laughter as a weapon, for example Roger Lucey’s response to Jacob Zuma refusing the Dalai Lama a travel visa so that he could attend Desmond Tutu’s birthday celebrations. The Gereformeerde Blues Band change the words of a Christian hymn to poke fun at and criticize apartheid-era State President, PW Botha, while the Kalahari Surfers point out the foolishness of the extreme arguments made by Christians spouting ideas about backwards masking making people do things they don’t want to do, such as taking drugs. The Aeroplanes make fun of the majority of white South African males in the 1980s, who ended up expressing their individuality in the same foolhardy ways.

The Happy Ships have fun hooting about with “Car Hooter” while in “Country And Western” Matthew van der Want and Chris Letcher make fun of rival South African bands and of themselves. As for the rest, well … whether a song is regarded as a clever or fun novelty song or as a cringe-inducing or offensive failure, is in part a subjective process. Most of these songs fit in their in some way or another. They should all bring a smile (at least intellectually) or grimace to your face, but whatever you think of these songs, we will leave it up to you decide who’s fooling and who’s being fooled.

  1. Who Is Fooling You? – Stimela
  2. Car Hooter – Happy Ships
  3. Country And Western – Matthew van der Want & Chris Letcher
  4. Nik Nik Nah – Nik Nik Nah Band
  5. It’s Amazing – Pocket Lips
  6. I Like – John Ireland
  7. Play It Backwards – Kalahari Surfers
  8. Wat ’n Vriend Het Ons In PW – Gereformeerde Blues Band
  9. Stay In Grahamstown – Daniel Friedman
  10. My Broken Heart – Bernoldus Niemand
  11. South African Male – The Aeroplanes
  12. Dalai Lama – Roger Lucey
  13. Susannah Van Agulhas – Koos Kombuis
  14. Fatman And Bobin – The Bats
  15. No Way – BJ and the Koek Sisters
  16. Strip Tea – Glenda Kemp
  17. Da Da Da – Amanda Strydom
  18. Ek Soek Die Lekker Ding – Oom Hansie
  19. Bloemfontein Blues – David Kramer
Posted on

The Bright Blue Mixtape

In February this year four members of the original line-up of Bright Blue performed a reunion concert in Scarborough on the Western Cape Peninsula. The sold out show was thoroughly enjoyed by the audience, mostly people who attended their concerts back in the 1980s and 1990s. For many Bright Blue fans, they were more than the group who had hit songs with “Window On The World” and “Weeping”.

When they formed in Cape Town in 1983, Robin Levetan (vocals), Tom Fox (guitar, vocals), Ian Cohen (bass, vocals), Dan Heymann (keyboards) and Peter Cohen (drums) captured the sound and expressed experiences – and sometimes struggles – shared by their mostly young South African fanbase. Most poignantly, through their lyrics they expressed their views about the conscription of white males into the South African Defence Force. Songs like “Window On The World”, “Who Is The Enemy” and the David Bruce tribute song, “The Rising Tide” expressed the sentiments of many of their white male fans. To add to this, Bright Blue often performed on End Conscription Campaign platforms. They occupied a special place in many fans’ hearts. Between the release of their first album, Bright Blue, in 1984, and their second album, The Rising Tide, in 1987, the band’s progress was indeed interrupted by the conscription of some members, and in addition, Levetan left. The four remaining members rose to prominence with the chart-topping success of the anthemic “Weeping”, but the band was soon reduced to three members when Heymann left to live in the USA.

The remaining three members released the 3-song e.p Open Your Eyes in 1996 and then in 2003 (with Dan Heymann) they released the song “Madiba” as a free-to-download single (recorded in 1990). In 2008 the original five members reunited to play at an End Conscription Campaign concert at Spier Estate in the Western Cape. The recent (second) reunion was a long time coming, and unfortunately did not include Dan Heymann, but it marks such an important moment in South African music history that we decided to celebrate the event with a mixtape dedicated to Bright Blue’s music, and the bands’ influences.

We have included several of their songs: “Window On The World” and “Living In Africa” from their first album, with Robin Levetan on vocals; “Weeping” off their second album (featuring Tom Fox on vocals); and further singles, “Wouldn’t Miss It For The World”, “Madiba”, and “World Turns” (again featuring Tom Fox on vocals). We have also included several songs which in some way feature Bright Blue members: “Hungry Child” was written by Robin Levetan to be sung by a combination of musicians at the Operation Hunger Concert In The Park in 1985 (at which Bright Blue were unable to perform); two songs by The Usual (who featured post Bright Blue Tom Fox on guitar): “Like A Vision” and “I Believe You”; two songs off Robin Levetan’s 2010 solo album A Far Country: “You and I” (featuring Dan Heymann on keyboards) and “Perfect Day” (featuring Ian Cohen on bass and Tom Fox on guitar); “Jerusalem” by the Usual’s vocalist James Stewart (written by Dan Heymann and featuring him on keyboards), and “Working Class” by Freshlyground (featuring Peter Cohen on drums).

Interspersed among these songs are ten tracks which Tom Fox listed as songs which reflected the spirit of Bright Blue, politically and musically. In 1999 Tom Fox was asked to compile a list of Bright Blue’s Top 10 anti-apartheid songs for the Cutting Grooves Censorship of Music Exhibition in Grahamstown. In response he submitted a list of tens songs about racism, apartheid and the spirit of South African music. These songs were “Skokokoro” by Condry Ziqubu, “Burn Out” by Sipho Hotstix Mabuse, “Hellfire” by the African Jazz Pioneers, “Bring Him Back Home” by Hugh Masekela, “Isiphiwo” by the Soul Brothers, “African Sky Blue” by Juluka, “Toasted Take Aways” by the Cherry Faced Lurchers, “Mannenberg” by Abdullah Ibrahim, “Kazet” by Mahlathini and the Mohatella Queens, and (the only non-South African track on this mixtape), “Redemption Song” by Bob Marley & The Wailers. Although it must be pointed out that Tom didn’t list particular songs by the African Jazz Pioneer, Mahlathini and the Mohatella Queens, and the Soul Brothers, but simply pointed to their music in general. Appropriately, Basil Coetzee, who performed saxophone on “Mannenberg”, agreed to play the sax on Bright Blue’s “Weeping”, a performance which adds to the anthemic feel of the song.

We hope you enjoy this mix, and we hope Bright Blue meet up for another reunion before too long!

  1. Window On The World – Bright Blue Featuring Robin Levetan
  2. Skokokoro – Condry Ziqubu
  3. Burn Out – Sipho Hotstix Mabuse
  4. Hellfire – African Jazz Pioneers
  5. Living In Africa – Bright Blue Featuring Robin Levetan
  6. Bring Him Back Home – Hugh Masekela
  7. Isiphiwo – Soul Brothers
  8. African Sky Blue – Juluka
  9. Where Would I Go – Bright Blue
  10. Toasted Take Aways – Cherry Faced Lurchers
  11. Hungry Child – Concert In The Park Artists (Written By Rob Levetan)
  12. Weeping – Bright Blue
  13. Mannenberg – Abdullah Ibrahim
  14. Kazet – Mahlathini And The Mohatella Queen
  15. Wouldn’t Miss It For The World – Bright Blue 3rd Line-Up
  16. Like A Vision – The Usual
  17. I Believe You – The Usual
  18. Madiba – Bright Blue
  19. You And I – Robin Levetan (Featuring Dan Heymann)
  20. Jerusalem – James Stewart (Written By Dan Heymann, Also On Keyboard)
  21. Perfect Day – Robin Levetan (Featuring Ian Cohen And Tom Fox)
  22. Working Class (Or Fire Is Low) – Freshlyground
  23. World Turns – Bright Blue 3rd Line-Up
  24. Redemption Song – Bob Marley & The Wailers
Posted on

Best South African Songs of 2022

At the beginning of each year we reflect on what we think were the best South African songs of the previous year. 2022 was another good year for South African music, with a healthy array of new music released. We are highlighting 24 songs which we think everyone should listen to.

Once again there were several new releases from veteran South African musicians. Ivan Kadey from late ’70s-early ’80s band National Wake, is back with a new band (IKD Band) and album, Edge of Time, from which we feature the title track. The album marks a shift from the more intense reggae-punk influenced music of yonder years towards a more subtle introspection. Robin Auld is another veteran South African singer with early roots in the SA punk-ska scene (with the Lancaster Band) who is still releasing new music. Auld has released solo albums for four decades now, and his latest, The Everlovin’ Wind is excellent. “About A Boy” is an upbeat track that implores you to get up and boogie.

There are several musicians who have more recently become veterans or are veterans-in-the-making (we are not quite sure at what point a musician becomes a veteran). Fuzigish have made a welcome return with a self-titled album, with the track “Believer” reminding us what a good ska-jol band they are. Also back with new releases are: Laurie Levine, the song “Dunes” is the title track of her EP; Nakhane, with the EP, Leading Lines, from which we feature “My Ma Was Good”; and Anna Wolf with the EP, Romance Was Born, from which we have taken “Heaven Breathes”. Zolani Mohala of Freshlyground released the single “Wawandithembisile”, a track featuring Kenza & Sun El Musician. “Snake Oil City” is taken from Dan Patlansky’s Shelter Of Bones album, which has been receiving good reviews far and wide. Lucy Kruger & the Lost Boys were back with the third of their trilogy of albums, release in consecutive years. “Risk” is taken from Teen Tapes (For Performing Your Own Stunts), yet another exceptional album. We have also included a single by Dope St Jude, “You’re Gonna Make It”.

The Kongos, like several of the musicians on this mixtape, are now based overseas (they are in the USA), and “Speak Free” is taken from their album 1929, Part 3. The London-based Soap Girls released the album In My Skin, which opens with the high-energy punkish “Breathe”, the track we have included here. “Malele” is taken from Montparnasse Musique’s self-titled EP, released by Real World Records.

Mongrel Records is an exciting newish South African label who have produced a steady flow of releases over the past few years. 2022 was a continuation of that. Apart from the aforementioned Fuzigish album, there were new releases (featured here) from Evert Snyman & the Aviary, the Pruning In The Dark album from which we have chosen “I Never Listen When You Speak”, and a few singles, including “Dead Flowers” by the Filthy Hippies, and “The Veneer” by A Million Ways To Die, a project of former No Friends of Harry band members, Rob McLennan and Dace de Vetta.

This mixtape also features some notable single releases by artists who are fairly new on the music scene: “Blacksnake Blues” by All Them Witches, “Triomf” by The Great Yawn, and “Polar Operational Environmental Satellite” by We Kill Cowboys.

There are also several songs from artists with first time official releases in 2022: Australian-based Ruby Gill’s debut album, I Forgot To Be Profound Today, is more than well worth listening to. We have included the title track. Vietnam-based Madele’ Vermaak released her debut EP, A Pocket Full Of Stones, from which we have selected “Love Breaks Time”. There were noteworthy single releases from by West Coast Wolves, (“Factory Of Bones”), Lokaly (“Breathing”), and East London band, Can Of Worms (“Pillow”). We look forward to more music from these artists in the next year or so.

Once again, we hope you enjoy most, if not all, these songs, and that you end up exploring details about the various musicians and their music. There are several 2022 albums and Eps we think are worth buying, or streaming, and we hope you do! Also look out for live performances, these artists rely on your support!

  1. Believer – Fuzigish
  2. I Forgot To Be Profound Today – Ruby Gill
  3. Wawandithembisile – Zolani Mohala featuring Kenza & Sun El Musician
  4. My Ma Was Good – Nakhane
  5. Edge Of Time – IKD Band
  6. Dunes – Laurie Levine
  7. Speak Free – Kongos
  8. Factory Of Bones – West Coast Wolves
  9. Breathing – Lokaly
  10. I Never Listen When You Speak – Evert Snyman & the Aviary
  11. All About A Boy – Robin Auld
  12. Malele – Montparnasse Musique
  13. Breathe – The Soap Girls
  14. Blacksnake Blues – All Them Witches
  15. Snake Oil City – Dan Patlansky
  16. Risk – Lucy Kruger & the Lost Boys
  17. Love Breaks Time – Madele’ Vermaak
  18. Triomf – The Great Yawn
  19. Heaven Breathes – Anna Wolf
  20. Polar Operational Environmental Satellite – We Kill Cowboys
  21. Dead Flowers – Filthy Hippies
  22. The Veneer – A Million Ways To Die
  23. Pillow – Can of Worms
  24. You’re Gonna Make It – Dope St Jude
Posted on

Overseas Covers Of South African Songs

Continuing with our mixtapes of cover songs, this time we focus on songs written by South Africans and recorded by foreign artists. Considering the flow of popular culture from the West to the rest, it always seems quite an achievement for music from the tip of Africa to be heard, let alone covered, by musicians from outside the country. Given the distance a song has to travel (symbolically at least, and for many decades, physically too) it is not surprising that among the most ‘covered’ South African musicians are those who were prominent exiled artists – particularly Miriam Makeba, Hugh Masekela, and Abdullah Ibrahim (formerly Dollar Brand). Johnny Clegg had significant overseas success, on the back of extensive touring, and so he also features prominently (in Juluka, Savuka, and as a solo artist).

We have selected a few songs by these artists although there are many more of their songs which were covered: Miriam Makeba was covered by Nat Adderley (“Quit It”), the Dino Rubino Trio (“Sangoma”), Manu Dibango & Kaissa Doumbe (“Pata Pata”), Somi (“Mbombela”), and Zap Mama (“African Sunset”); Hugh Masekela was covered by Stevie Wonder (“Grazing In The Grass”), Soul Syndicate (“Riot”), and Rozalla (“Don’t Go Lose it Baby”); Abdullah Ibrahim was covered by Nubya Garcia & Jools Holland (“Mannenberg”); and Johnny Clegg’s compositions were covered by Afroblue (Juluka’s “Kilimanjaro”), Jimmy Buffet (Johnny Clegg and Savuka’s “Great Heart”) and the Beautiful Girls (Savuka’s “Dela”). Furthermore, John Kongos was covered by the Happy Mondays (“Tokoloshe Man”) and The Party Boys (“He’s Gonna Step On You Again”); while Steve Kekana was covered by Precious Wilson (“Raising My Family”).

Also included here are Four Jacks & A Jill (the Dave Marks composition “Master Jack” covered by The Paranoid Style), Nancy Jacobs & Her Sisters (the Strike Vilakazi composition “Meadowlands” covered by Duo Ouro Negro), Freshlyground (“Doo Be Doo” covered by KC Concepcion”), Lucky Dube (“I’ve Got You Baby” covered by Carlene Davis), two songs from the Ipi Tombi stage show (the Original Ipi Tombi Cast’s “Ipi-N-Tombia” is covered by the Three Degrees and Margaret Singana’s version of “Mama Tembu’s Wedding” is covered by the Vernons.

Some of the above songs have been covered by several artists but, as has been well-documented, none as often as Solomon Linda’s “Mbube”. Here we include one of the more interesting covers, by Angelique Kidjo. We end off with Stef Bos covering “Onder In My Whiskeyglas” originally recorded by Koos Kombuis, Josh Groban covering “Weeping”, originally recorded by Bright Blue, and the Shadows covering Nico Carstens’ “Zambesi”.

We are planning a second series of covers, so if you want to recommend some for inclusion please leave suggestions!

  1. Tokoloshe Man – Happy Mondays (John Kongos)
  2. He’s Gonna Step On You Again – The Party Boys (Johnny Kongos)
  3. Master Jack – The Paranoid Style (Four Jacks & A Jill)
  4. Meadowlands – Duo Ouro Negro (Nancy Jacobs & Her Sisters)
  5. Grazing In The Grass – Stevie Wonder (Hugh Masekela)
  6. Quit It – Nat Adderley (Miriam Makeba)
  7. Mannenberg – Nubya Garcia & Jools Holland (Dollar Brand)
  8. Sangoma – Dino Rubino Trio (Makeba)
  9. Doo Be Doo – KC Concepcion (Freshlyground)
  10. Kilimanjaro – Afroblue (Juluka)
  11. Great Heart – Jimmy Buffet (Johnny Clegg)
  12. Raising My Family – Precious Wilson (Steve Kekana)
  13. I’ve Got You Baby – Carlene Davis (Lucky Dube)
  14. Riot – Soul Syndicate (Hugh Masekela)
  15. Mbube – Angelique Kidjo (Solomon Linda)
  16. Pata Pata – Manu Dibango & Kaissa Doumbe (Miriam Makeba)
  17. Mbombela – Somi (Miriam Makeba)
  18. African Sunset – Zap Mama (Miriam Makeba)
  19. Dela – The Beautiful Girls (Savuka)
  20. Don’t Go Lose It Baby – Rozalla (Hugh Masekela)
  21. Ipi-N-Tombi – The Three Degrees (Original Ipi Tombi Cast)
  22. Mama Tembu’s Wedding – The Vernons (Margaret Singana)
  23. Onder In My Whiskeyglas – Stef Bos (Koos Kombuis)
  24. Weeping – Josh Groban (Bright Blue)
  25. Zambesi – The Shadows (De Waal & Nico Carstens)
Posted on

SA Musicians Covering Overseas Songs

In our previous mixtape we featured South African musicians covering South African songs. This time we focus on South African musicians covering foreign songs. Anyone familiar with live performers in South African restaurants and pubs will be all too familiar with the countless musicians plying overseas covers for a trade. Many a South African songwriter shakes their head in desperation at the thought of all the cover artists, trying to mimic the singers of the songs they cover, and taking the performance spaces potentially available to more original musicians. However, covers are not always a bad thing. Several musicians who mostly perform their own compositions also include some covers in their live sets or even record them as singles and on their albums. Most often these are viewed as interpretations – where they change the emphasis of the song or switch the song from one genre to another. At times musicians simply cover a song which they think will be a big hit if they adapt it to what seems popular in the current climate, or among their specific fans.

There are examples here which fit into all those categories. Interpreting songs is a very personal thing, and so rather than explain every song’s inclusion here, and fitting it into a particular category of cover, we have just listed the songs here, for you to listen to, think about, and perhaps explore further. We have included the names of the original performers in parenthesis, so that (in case you are not aware of the original) you can go back and listen, and think about the way it has been covered here. In case this sounds like a Musicology 101 course, we won’t ask you to write an essay. But please do leave comments about anything that grabs your attention. In the meantime … enjoy!

  1. Down On The Corner – Miriam Makeba (Creedence Clearwater Revival)
  2. The Voice Of Rage And Ruin – Kalahari Surfers (Creedence Clearwater Revival – “Bad Moon Rising”)
  3. Build Me Up Buttercup – Mean Mr Mustard (The Foundations)
  4. Paint It Black – No Friends of Harry (The Rolling Stones)
  5. Into The Fire – Suck (Deep Purple)
  6. Fooled Around And Fell In Love – Julian Laxton Band (Elvin Bishop)
  7. Substitute – Clout (The Righteous Brothers)
  8. Why Did You Do It – Margaret Singana (Stretch)
  9. Living For The City – Disco Rock Machine (Stevie Wonder)
  10. Magic Carpet Ride – Buffalo (Steppenwolf)
  11. Take Me To The River – Mara Louw (Al Green)
  12. The Weight – Dan Patlansky (The Band)
  13. Fine Lines – Syd Kitchen (John Martyn)
  14. Somebody – Matthew van der Want (Depeche Mode)
  15. Walking In The Rain – Johannes Kerkorrel (Flash and the Pan)
  16. Wait – Chris Letcher (Lou Reed)
  17. Complicated Game – Peach (XTC)
  18. Beds Are Burning – TCIYF (Midnight Oil)
  19. When I Went Out One Morning – Tribe After Tribe (Bob Dylan)
  20. Ring Of Fire – Laurie Levine (Johnny Cash)
  21. Sugarman – Just Jinger (Rodriguez)
  22. Money Money Money – Karen Zoid (Abba)
  23. Sunday Morning Coming Down – Wonderboom (Kris Kristofferson)
  24. Control – Spoek Mathambo (Joy Division – “She’s Lost Control”)
  25. Heart Shaped Box – Goldfish & Julia Church (Nirvana)
Posted on

South African Musicians Covering South African Songs

Covers are an integral part of popular music. Some bands make a living out of playing covers, some musicians even make a career imitating another musician or band, covering their repertoire or a specific period of their music. This can take place the form of reduplication covers, in which live performances are approximated as closely as possible. Most commonly, musicians simply cover one or more songs by other performers during their career.

We have decided to celebrate cover versions of songs which are in some way related to South Africa. In this – the first mixtape – we are focusing on South African songs covered by South African musicians. The second will focus on foreign songs covered by South African musicians, and the third will feature South African songs covered by foreign musicians.

There are many motivations for covering another’s song, one of which is simply to choose a song which can make money, but often it has to do with paying homage to the original song or performer, and many of the songs included here fit that description. These songs tend to show a great deal of respect to the original version, in terms of tempo, melody and lyrics. Here one can include songs like Arno Carstens’ cover of Ballyhoo’s “Man On The Moon”, Johannes Kerkorrel’s cover of Bernoldus Niemand’s “Snor City”, Zim  Ngqawana’s cover of Abdullah Ibrahim’s “Chisa”, Miriam Makeba’s version of Hugh Masekela’s “Soweto Blues”, QKumba Zoo’s cover of Bright Blue’s “Weeping”, Sharon Katz & the Peace Train and Dorothy Masuka’s version of “Meadowlands”, made famous by Nancy Jacobs and her Sisters, African Jazz Pioneers & Thembi Mtshali’s cover of Miriam Makeba’s “Pata Pata”, David Kramer’s version of Roger Lucey’s “Dry Wine” , Urban Creep’s interpretation of the Cherry Faced Lurchers’ “Shot Down”, Vusi Mahlasela’s cover of James Phillips’ “Africa Is Dying”, Jennifer Ferguson’s version of David Marks’ “Master Jack” (made famous in South Africa by Four Jacks And A Jill), Tony Cox’s cover of Edi Niederlander’s “Ancient Dust Of Africa”, Sonja Herholdt’s cover of David Kramer’s “Skipskop”, Matthew Van Der Want and Chris Letcher’s cover of the Springbok Nude Girls’ “Blue Eyes”, Laurika Rauch’s version of Koos Kombuis’ “Liza Se Klevier” and Tonia Selley’s interpretation of another Koos Kombuis song, this time “Onder In My Whiskeyglas”.

Several artist included here have paid homage to Johnny Clegg’s music (whether with Juluka or as a solo artist). None of the covers included here have tried to imitate the crossover (Zulu-Western folk-rock) style of Johnny Clegg’s music and so while these songs remain true to the sentiment of the originals, they take them in to a different stylistic terrain. These include the acapella version of “Impi” by Not The Midnight Mass, and the rockier versions of “Great Heart” by Hog Hoggidy Hog, “Africa” by Wonderboom and “December African Rain” by the Springbok Nude Girls.

Two songs on this mixtape are an interesting form of cover song in which the cover versions include musicians who were part of the original version. David Kramer joins Jack Parow in his cover of Kramer’s “Biscuit And Biltong” while several members of the Gereformeerde Blues Band join with Arno Carstens and others to cover “Liefde”, originally recorded by the Gereformeerde Blues Band.

There are also socially interesting covers included here. Bernoldus Niemand turns the Radio Rats’ fairly international-sounding “Welcome To My Car” into a truly South African song, especially through his use of South African accent in his vocals. By joining together to cover the Freedom Children’s “Tribal Fence”,  Margaret Singana and Rabbitt go some way towards crossing the tribal fence they sing about. Finally, by sampling Hotline’s “Jabulani”, Prophets Of Da City, a Western Cape coloured hip hop band playfully pay homage to a commercially successful  white western/black neotraditional crossover song. To what extent their sampling of “Jabulani” becomes a cover (or not) is something to ponder.

We have thoroughly enjoyed compiling this selection of covers in which South African musicians have celebrated great South African songwriting and performance. So many emotions and moods are captured through these interpretations. We hope it drives you to go in search of some of the originals you haven’t heard, or even to re-listen to the originals as a matter of comparison. Also let us know if we have left out any of your favourite SA covers of SA songs: there’s bound to be a part two to this particular theme.

  1. Man On The Moon – Arno Carstens
  2. Liefde – Die Lemme
  3. Welcome To My Car – Bernoldus Niemand
  4. Snor City – Johannes Kerkorrel
  5. Chisa – Zim  Ngqawana
  6. Soweto Blues – Miriam Makeba
  7. Weeping – Qkumba Zoo
  8. Meadowlands – Sharon Katz & The Peace Train And Dorothy Masuka
  9. Pata Pata – African Jazz Pioneers & Thembi Mtshali
  10. Impi – Not The Midnight Mass
  11. Jabulani – Prophets Of Da City
  12. Great Heart – Hog Hoggidy Hog
  13. Africa – Wonderboom
  14. December African Rain – Springbok Nude Girls
  15. Tribal Fence – Rabbitt & Margaret Singana
  16. Dry Wine – David Kramer
  17. Shot Down – Urban Creep
  18. Africa Is Dying – Vusi Mahlasela
  19. Master Jack – Jennifer Ferguson
  20. Ancient Dust Of Africa – Tony Cox
  21. Skipskop – Sonja Herholdt
  22. Biscuits & Biltong – Jack Parow
  23. Lisa Se Klavier – Laurika Rauch
  24. Onder In My Whiskeyglas – Tonia Selley
  25. Blue Eyes – Van Der Want/Letcher