SA Musicians Covering Overseas Songs

In our previous mixtape we featured South African musicians covering South African songs. This time we focus on South African musicians covering foreign songs. Anyone familiar with live performers in South African restaurants and pubs will be all too familiar with the countless musicians plying overseas covers for a trade. Many a South African songwriter shakes their head in desperation at the thought of all the cover artists, trying to mimic the singers of the songs they cover, and taking the performance spaces potentially available to more original musicians. However, covers are not always a bad thing. Several musicians who mostly perform their own compositions also include some covers in their live sets or even record them as singles and on their albums. Most often these are viewed as interpretations – where they change the emphasis of the song or switch the song from one genre to another. At times musicians simply cover a song which they think will be a big hit if they adapt it to what seems popular in the current climate, or among their specific fans.

There are examples here which fit into all those categories. Interpreting songs is a very personal thing, and so rather than explain every song’s inclusion here, and fitting it into a particular category of cover, we have just listed the songs here, for you to listen to, think about, and perhaps explore further. We have included the names of the original performers in parenthesis, so that (in case you are not aware of the original) you can go back and listen, and think about the way it has been covered here. In case this sounds like a Musicology 101 course, we won’t ask you to write an essay. But please do leave comments about anything that grabs your attention. In the meantime … enjoy!

  1. Down On The Corner – Miriam Makeba (Creedence Clearwater Revival)
  2. The Voice Of Rage And Ruin – Kalahari Surfers (Creedence Clearwater Revival – “Bad Moon Rising”)
  3. Build Me Up Buttercup – Mean Mr Mustard (The Foundations)
  4. Paint It Black – No Friends of Harry (The Rolling Stones)
  5. Into The Fire – Suck (Deep Purple)
  6. Fooled Around And Fell In Love – Julian Laxton Band (Elvin Bishop)
  7. Substitute – Clout (The Righteous Brothers)
  8. Why Did You Do It – Margaret Singana (Stretch)
  9. Living For The City – Disco Rock Machine (Stevie Wonder)
  10. Magic Carpet Ride – Buffalo (Steppenwolf)
  11. Take Me To The River – Mara Louw (Al Green)
  12. The Weight – Dan Patlansky (The Band)
  13. Fine Lines – Syd Kitchen (John Martyn)
  14. Somebody – Matthew van der Want (Depeche Mode)
  15. Walking In The Rain – Johannes Kerkorrel (Flash and the Pan)
  16. Wait – Chris Letcher (Lou Reed)
  17. Complicated Game – Peach (XTC)
  18. Beds Are Burning – TCIYF (Midnight Oil)
  19. When I Went Out One Morning – Tribe After Tribe (Bob Dylan)
  20. Ring Of Fire – Laurie Levine (Johnny Cash)
  21. Sugarman – Just Jinger (Rodriguez)
  22. Money Money Money – Karen Zoid (Abba)
  23. Sunday Morning Coming Down – Wonderboom (Kris Kristofferson)
  24. Control – Spoek Mathambo (Joy Division – “She’s Lost Control”)
  25. Heart Shaped Box – Goldfish & Julia Church (Nirvana)

Songs About South Africa

Our theme of South African places continues. This mixtape features songs about South African towns and cities performed by foreign musicians. As expected, during the apartheid era there were many songs which linked South African places to apartheid human rights violations. This mixtape begins with those before ending with a series of songs released in the post-1994 era.

In most of the apartheid era songs the name of a specific urban area is used to represent apartheid South Africa more generally, with the exception of Mari Pavone’s “Sharpeville” which is a mournful tribute to people slain by the apartheid police at the Sharpeville massacre. Some of these songs used lyrics to draw attention to apartheid atrocities and supported the struggle against the unjust system including songs by Gil Scott Heron, the Anti-Nowhere League, Love Like Blood, Little Steven, Sonny Okosun, Jeffrey Osborne and Pierre Akendengue. While in “Tears For Johannesburg” by Max Roach, Abey Lincoln’s sorrowful vocals draw attention to the pain caused by apartheid atrocities.

Malcolm McLaren’s “Soweto” and Harry Belafonte’s “Paradise in Gazankulu” do not focus on apartheid injustices but “Soweto” itself was an injustice, with McLaren plundering the music of the Boyoyo Boys for his own gain. Nevertheless, the song drew the attention of many listeners to Soweto and to South African music.

The end of the apartheid era brought with it a new musical attitude towards South Africa, where places can be celebrated for their way of life and sense of space rather than for the injustices they represent (even if injustices do continue). The Ghost of a Saber Tooth Tiger sing about missing a flight to Johannesburg while Clubfeet sing “Let’s fly to Cape Town, baby” as both cities become part of the international leisure globetrotting circuit.

Instrumental pieces by Herman Benjamin, Plaid, Soothsayers, Lawson Rollins, Brink Man Ship and Werken capture post-apartheid South African spaces through music. They can take you on a journey without specifying what that journey entails. Although Werken’s “Port Elizabeth” doesn’t sound like you will necessarily enjoy your stay …

  1. Johannesburg – Gil Scott Heron
  2. Johannesburg – Anti-Nowhere Road
  3. Johannesburg – Love Like Blood
  4. Johannesburg Blues – Les Baxter
  5. Tears For Johannesburg – Max Roach
  6. Sharpeville – Mario Pavone
  7. Pretoria – Little Steven
  8. Fire In Soweto – Sonny Okosun
  9. Soweto – Jeffrey Osborne
  10. Espoir A Soweto – Pierre Akendengue
  11. Soweto – Malcolm Mclaren
  12. Paradise In Gazankulu – Harry Belafonte
  13. Johannesburg – The Ghost Of A Saber Tooth Tiger
  14. Durban Poison – Herman Benjamin
  15. Durban Pain – Plaid
  16. Umtata – Soothsayers
  17. Cape Town – Clubfeet
  18. Cape Town Sky – Lawson Rollins
  19. Gugulethu – Brink Man Ship
  20. Port Elizabeth – Werken