Boy From The Suburbs

“What the @$%! was that1” asks Leon Lazarus as he invites you to listen to his personal mixtape of the sounds around him growing up in the suburbs of Johannesburg in the 70s and 80s, before setting out into the world, but his ears still tuned to the Southern Hemisphere. From Springbok Radio Pop to Punk to New Wave to Rock and Folk in the 70s, 80s, an 90s, this was the soundtrack to his upbringing in South Africa.

Clout – Substitute
This is where I begin. I was only four when the song dropped into the charts and yet I remember singing along to it with my siblings. It was a brilliant piece of pop music making and deserved its place in the international charts. I had the distinct pleasure of interviewing Cindy Alter a few years back, and I was completely start-struck.

Jessica Jones – Sunday, Monday, Tuesday
This is another piece of pop genius and an enduring earworm that I could sing along to fifty years after hearing it for the first time. I was only six when it came out, but my sisters had the single playing on repeat, so it is now fused with my DNA.

Maria – Clap Your Hands, Stamp Your Feet
You know that every seven-year-old would be clapping and stamping along to this South African pop classic. Back in 1973, this song was everywhere and remained on heavy rotation at least until I sprouted hairs in parts unknown.

Glenys Lynne – Ramaja
This was the first Afrikaans language song that didn’t drive me round the bend. In primary school, Afrikaans was already a problematic language for me. It brought with it all sorts of complications. As a Jewish kid in a government school, I was forced to sit through sermons delivered by domienees, sing the national anthem (which I refused after a time), and attend veld-school where a neo-Nazi took pleasure in beating the spit out of us. When I found myself enjoying this song, I was as surprised as the next person. I am sure I wouldn’t have admitted that in 1976.

Ipi nTombi – Mama Thembu’s Wedding
This was the very first live stage show I was taken to, back in 1976. It was the year in which my primary school was sent home for fear of the unrest spilling over from nearby Alexandra Township. I clearly recall walking through the grounds of the Civic Theater in Johannesburg and climbing the steps to the enormous lobby. I remember the excitement of finding our seats, and the curtain going up. Most of all, I remember Margaret Singana’s spectacular performance. Despite it being a controversial musical about the plight of black women and their migrant men written by two white women, the music continues to hold a special place in my heart.

Paradise Road – Joy
A black all girl group singing a beautiful, touching, and immensely enjoyable song was an important step along my path to shrugging off the decades of bullshit we had been fed by the Apartheid government. At a time when the country was tearing itself apart, this brave song had us singing along. Looking back, the chorus was wonderfully subversive: “There are better days before us and a burning bridge behind, fire smoking, the sky is blazing. There’s a woman waiting, weeping and a young man nearly beaten, all for love. Paradise was almost closing down.”

Rabbitt – Charlie
My sister-in-law was one of the hundreds of screaming fans that camped outside the Duncan Faure’s house back in the 70’s. She and I got on like a house on fire, and her infatuation with the band was catching. I like the band enough to be able to sing along, but I think they needed to find a place on this list more for the fact that they were ever present in my life through the late 70’s and early 80’s.

Ballyhoo – Man On The Moon
This song makes it into the list by osmosis. I was not a huge fan of Ballyhoo, but jolling in Joburg during the 80’s, you couldn’t escape them. If you walked through Hillbrow on the way to a disco or bar, you were bound to hear Ballyhoo spilling out onto the street from a dinner club or music venue. After a while, they just became part of the wallpaper, and then you found yourself humming the damned tune.

éVoid:- Shadows
I spent my teenage years in a club called DV8, drinking, smoking, and generally being a hooligan. éVoid regularly made an appearance in the basement dive and never failed to bring the house down. Shadows was their biggest hit, and it brings back the fondest of memories.

Sipho “Hotstix” Mabuse – Burn Out
I know, I know. You’ve heard it a million times. Make it a million and one. I love the song because it is so tightly intertwined with a memory that I recall like it was yesterday. My buddy Steven and I are gunning it down Louis Botha Avenue in Johannesburg at about 3am, on our way to a dice at the Pickin’ Chickin, and I do my radio DJ song ID over the iconic intro to Burn Out. Man, good times!

David Kramer – Botteltjie Blou
After matriculating, I started a law degree though Unisa and studied at the RAU library in Johannesburg. That’s where I first took notice of David Kramer. His posters were everywhere on campus, I remember getting a copy of Bakgat! from the record library and falling in love with it. I became a fan. To this day I have the same reaction as I did the first time I heard Botteltjie Blou. It is a sad song that pierces deep. I am instantly reminded of the terrible wave of deaths associated with the consumption of methylated spirits in the early 80’s. Back then, we spoke about it with a “shame, hey,” but the better I understood the world, the more I grasped how landless, poor, desperate, and brutalized people would go to any lengths to dull the pain, even drinking meths through a half-loaf.

Mango Groove – Pennywhistle
In the early 80’s, just out of matric, my circle of friends used to hang out at a club in Norwood called Quavers. It was a reasonably priced Jazz venue with great murals and a small stage in the corner. Steve, Mel, Lee, Gav and all the rest of us were regulars and could be found there at least once or twice a week downing flaming Sambucas with coffee beans floating in them, or late-night Irish coffees. Mango Groove was a regularly featured band and we landed up seeing them at least ten or fifteen times. It must be said that a good part of our gang lusted after Claire Johnston, so maybe the Sambuca wasn’t the only draw. Lacking sex appeal but perhaps the more memorable member of the group was Mickey Vilakazi, the trombonist. A showman with his instrument, he was both brilliant and fun to watch. Great memories.

Juluka – Thandiwe
I first saw Juluka perform live at the Free Peoples Concert on the WITS University sports fields. It wasn’t the last time. I was lucky enough to see the band bring the house down a few years later at Grahamstown’s Settlers Monument theater, and I attended Cleggs final farewell concert in San Diego. I remember hearing the song Thandiwe for the first time when my older brother and his friends had African Litany on the Hi-Fi. I can’t be sure, but today it feels like that was the moment I found the link between the music that was coming from Freddy’s PM9 powered record player in the back yard and the popular music on my radio. In the end, Juluka turned out to be crucial in shaping my attitude to Apartheid. Their songs helped break down my ideas of what being African meant and set in concrete my resolve to defy the SADF draft and do what I could to affect a different outcome in South Africa.
Johannes Kerkorrel en die Gereformeerde Blues Band – Ossewa
When the Voelvry tour came to Grahamstown in 1989, it was a lightbulb moment for me. Here was a group of Afrikaners who were pissed off about the same things I was. Even better, they played rock and blues and they were satirical and wry. It ticked all the boxes for me. I could have chosen a more political song from the tour, but honestly, I cracked up when I heard Ossewa for the first time. My family ran a motor spares shop in Edenvale, so the thought of cruising to Transkei at 160km/h in a V6 ox wagon with Elvis playing on the tape deck was brilliant!

Jack Parow – Cooler as Ekke
Jack Parow is one of those guys that figured out Afrikaans rap was waiting for a champion and a sense of humor couldn’t hurt. This is one of those songs that will remain evergreen for me.

Jack Parow and Valiant Swart – Tema Van Jou Lied
And then, Jack Parow showed his softer side by working with Valiant Swart to turn a well-crafted song into something extraordinarily touching and beautiful.

Vusi Mahlasela – Say Africa
The song Say Africa was written and originally performed by Dave Goldblum and appeared on his album Valley Road in 1997. Vusi Mahlasela took an already brilliant song and turned it into an iconic South Africa anthem. I find myself singing the chorus every now and again, especially when I am feeling a little homesick.

Urban Creep – Shot Down
I have always been a fan and admirer of Chris Letcher, not least of all because I had the pleasure of playing on a stage at his side. The fleeting moment our band went supernova at Jameson’s remains one of my most treasured memories. But he has never been better than when he paired up with Brendan Jury in Urban Creep. It gives me chills.

Springbok Nude Girls – Blue Eyes
I fell for SNG long after everyone else had. When I first heard Blue Eyes, I was already in the United States back in the early 2000’s. The song begins as a serene lullaby and then explodes into its signature fuzz. It is beautiful throughout and reminds me of a passionate argument with someone you love.

One Large Banana – Leave This Town
You might think I say this because I count Brett as my closest pal, but I have always loved his first EP Don’t Feed the Animals. It captures a moment in South African music and Grahamstown’s college vibe. I like to think it would have been the music I’d have been playing had we continued together in a band. More than anything, the songs are bloody catchy and turn into earworms immediately. A nod to Gareth Sweetman on Drums whose dad passed away recently, John Taylor on Guitar who is now quite respectable, and the smooth Jo Edwards with the golden pipes.

Music from Makhanda

Many a poet, writer, journo, musician, dancer, artist, and even person on the street, has experienced the sort of creative inspiration in Makhanda (and also when it was Grahamstown) which only ever comes to one at the centre of the creative universe. This mixtape celebrates why we think Makhanda is the centre of the South African popular music universe. Given the size of the town it is staggering to hear how much good music has been made by people from here, or who have at the very least stopped in Grahamstown and Makhanda as part of their life’s journey.

This mixtape begins with “Deep Frieze” by Chris Letcher, who grew up in Grahamstown, and attended school and university here. As a student he was a member of Gramsci Beat before going on to much bigger things: with Urban Creep and as a duo with Matthew van der Want. When he finally released his long overdue debut solo album (Frieze, released in 2007) it was critically acclaimed, and “Deep Frieze” gives a good indication as to why the album was so well-received.

Larry Strelitz has been part of the Grahamstown and Makhanda music scene since the 1970s, when he was an active member of the Rhodes University Folk Club. He is a songwriter of note and has performed in various groups and as a solo artist. “Declaration of Independence” is from the early 1990s, and was one of a series of songs based on poems by almost equally longstanding Grahamstonian and local poet, Robert Berold.

Gil Hockman is one of several musicians on this mixtape who passed through Grahamstown and Makhanda as a student. He was a founder-member of The Buckfever Underground (see below) and in 2009 began performing as a solo artist. “A Long Way Home” is taken from his 2013 EP, All The Things.

Lucy Kruger was also a temporary Grahamstown sojourner while she studied Music and Drama at Rhodes University towards the end of the first decade of the 2000s. She initially performed as a solo artist but went on to form Medicine Boy and Lucy Kruger & the Lost Boys. While the former has since broken up she still performs as the latter. Like Gil Hockman, she has since relocated to Berlin, Germany. Here we have included “Half Of A Woman: from her 2019 album, Sleeping Tapes For Some Girls.

Back in the 1950s, when Grahamstown was affectionally known in some circles as ‘The Little Jazz Town” , there were several groups who provided the town with a jazz soundtrack, including the Gaiety Brothers, the Modern Keys, the Jumping Jitt Fives, the Satchmo Heights and the Merry Swingsters, who appear here with Victor Mkize & Joyce Foley performing “Hambela eBhayi”, recorded in 1953. The most influential of the musicians in this circle was Jury Mphelo. He became well known in Johannesburg with groups like Orlando Six and King Jury and His Band. Here he features under his own name performing “Isicatula Boots”, recorded in 1957.

Another prominent South African jazz musician, Zim Ngqawana, studied at Rhodes University in the mid to late 1980s before going on to the University of Natal and a hugely successful solo career. “Gobbliesation (In a Global Village)” is taken from his third solo album, Zimphonic Suites, released in 2001.

Andrew Tracey, most closely associated with the International Library of African Music, is almost as well known for the Andrew Tracy Steel Band, for many, many years a part of the Grahamstown soundscape. Here we include “Chakwi”, recorded in 2004.

Another longstanding local musician, Monwabisi Sabani, achieved a degree of national fame in the 1990s, culminating in appearances on SABC TV. “Ningathengisani” is taken from the “Mnandisa” album, recorded by Mountain Records in 1998.

Leather Omnibus were a mostly student Grahamstown band together with members from Rhini township. The band included Tune Me What’s Brett Lock and Leon Lazarus. Here we include “Neighbours” (1989) with yet another permanent local, Mini Dial, on vocals. The band was short-lived but did land a residency at Jameson’s in Johannesburg in December 1989, featuring Gramsci Beat’s Chris Letcher and Alan Finlay as guest musicians.

James Ribbans was a student at Rhodes University at a similar time to Leather Omnibus and always stole the show whenever he performed. He has continued to make music in London, where he has been based for many years. “Night Painting” (2014) performed with Zhenya Strigalev gives some idea as to what the fuss was all about.

Indicator was a band formed by Sean Hayward also formerly of the late ’90s Rhodes student band, Karmic Drink, with various collaborators. BMG Records Africa offered to sign Indicator on the strength of his album Are Their Spirits Here? , but Hayward opted to try his luck in London, but wasn’t successful. The title track is featured on this mixtape. Now living in the USA, Hayward is still active in the local music scene there. Karmic Drink came second in the 1998 Rhodes University campus ‘Battle of the Bands’ behind winner One Large Banana (see below).

Live Jimi Presley were originally a mid-1980s Grahamstown band called Vader Jakob. They changed their name to Manhole and then to Live Jimi Presley. “Song A” is taken from an album of earlier recordings released in 2016.

Photographer and musician Tim Hopwood has spent most of his life in his native Port Elizabeth (now Gqeberha) but spent a few years at Rhodes University in the late 1980s and into the 1990s. He is a regular at local live venues and periodically releases new music. “Revelations” is a Hopwood song, taken from the album, Songs of Love and Death which he recorded with Joe Van Der Linden in 2007.

Madele Vermaak was a friend and musical contemporary of Lucy Kruger, and has performed as a solo artist over the years. This year she released her first solo work, A Pocket Full of Stones, from which “Love Breaks Time” is taken. Vermaak now lives in Vietnam.

Nishlyn Ramanna has a long relationship with Grahamstown and Makhanda, having spent two fairly long stints in the Rhodes University Music Department, where he currently works. “N3 East” is taken from his critically acclaimed debut album, A Thought, released in 2005.

The Nia Collective are a popular current Makhanda band, whose performances over the past decade have been keenly awaited and enjoyed. “Mind the Gap” is taken from their debut album, Acoustic Soul.

The Koeksusters were a mid-1980s Andrew Sisters-styled vocal group comprising four Rhodes University students: Pauline Higgins, Alison Love, Karin Thorne and Tessa Gawith. They never recorded studio versions of their songs although there might be some live recordings lurking around somewhere. They were an End Conscription Campaign aligned band who performed political songs. The version of “Raglan Road” featured here is a live recording taken from the ECC 25th anniversary concert in 2008. It features only Karin Thorne and Tessa Gawith because the other two members were not able to attend.

The Aeroplanes were also a group of Rhodes students from the late 1970s, early 1980s, but they only formed a band after they left Rhodes University and returned to their home city, Johannesburg. Band members included Michael Rudolf (who had featured in various Grahamstown bands while he was a student), Carl Bekker, Gary Rathbone, Robert Muirhead and James Whyle. Their only album, The Aeroplanes, was released by Shifty Records in 1986. From that album we feature the song “National Madness”, a different version of which also appears on the Shifty/End Conscription Campaign compilation, Forces Favourites (1985).

James Phillips was already a fairly established muso when he arrived at Rhodes University to study music in the early 1980s (and his stay partly overlapped with the future members of the Aeroplanes). He had already released an EP with the Springs band, Corporal Punishment. In his short-lived stay at Rhodes University (he soon left to continue his studies at Wits University) he met Lee Edwards. The two later got together to form the Cherry Faced Lurchers, whose debut album, Live at Jameson’s was also recorded by Shifty Records. “Shot Down” is taken from that album, and just as with the Aeroplanes’ “National Madness”, an alternative version of the song was included on the Shifty/End Conscription Campaign compilation, Forces Favourites (1985).

One Large Banana was a late 1990s Grahamstown band including former Leather Omnibus member, Brett Lock. Other members included Jo Edwards, John Taylor and Gareth Sweetman (son of Barry Sweetman – see below). They released the EP Don’t Feed The Animals and won the Rhodes University leg of Battle of the Bands competition in 1997, which allowed them to appear at Oppikoppi later that year. “Leave This Town” from the EP went on to chart on 5FM and Radio Algoa. The band broke up in 1999.

The Kiffness is the stage name of David Scott who studied Music and Journalism at Rhodes, where he played trumpet in a jazz band and DJed at campus bar, ‘The Union’ The Kiffness’s debut single “Where Are You Going?” (featured here) charted on 5FM in 2013.

Radio Kalahari Orkes is a band fronted by former Grahamstownian Ian Roberts, possibly more familiar to the public as an actor. They perform a sort of progressive Boeremusiek-infused folk. Roberts is a graduate of both St Andrews school and Rhodes University, where he studied Drama and Anthropology in the late 1970s. This mixtape includes the song “Kaptein, Kaptein” taken from the Grootste Treffers album, released in 2011.

Barry Sweetman has been a fixture on the Grahamstown local music scene for almost 5 decades. A blues guitarist, he has performed solo and with various local musicians – including his son Gareth. Notably, he has never released an album, but has made a few professional recordings. We feature an instrumental track called “Soul Thing”.

Toast Coetzer was a Journalism student at Rhodes in the late 1990s and was involved in local music promotion and a DJ on Rhodes Music Radio. Together with a rota of collaborations – similar to the ethos of the Kalahari Surfers – Coetzer set his poetry over a bed of ambient music as The Buckfever Underground (founded with Gil Hockman), releasing a number of albums including Jou Medemens is Dood (1999) and Teaching Afrikaans as a Foreign Language (2002). Here we feature the song “Who’s Your Memory”, taken from the former album.

Cassette was a band led by Jono Savage formerly of late 1990s Rhodes student band Karmic Drink, together with Andrew Wessels of the mid-90s campus band Just Encasement (which also featured Gareth Sweetman, later of One Large Banana). Cassette won a “Best Rock Album” SAMA in 2007 for their album Welcome Back To Earth. In 2008, they won an MTV Africa award and they have the distinction of being the first SA band to tour Japan! After Cassette, Savage became a popular radio host and Wessels a film director. Wessels also drummed for Just Encasement, the final band featured which also included Gareth Steetman (later of One Large Banana). They were a popular band on campus in the mid 1990s.

Songs

  1. Deep Frieze – Chris Letcher
  2. Declaration Of Independence – Larry Strelitz
  3. A Long Way Home – Gil Hockman
  4. Half Of A Woman – Lucy Kruger & The Lost Boys
  5. Hambela Ebhayi – Merry Swingsters With Victor Mkize & Joyce Foley
  6. Isicatula Boots – Jury Mphelo
  7. Gobbliesation (In A Global Village) – Zim Ngqawana
  8. Chakwi – Andrew Tracy Steel Band
  9. Ningathengisani – Monwabisi Sabani
  10. Neighbour – Leather Omnibus
  11. Night Painting – James Ribbans & Zhenya Strigalev
  12. Are Their Spirits Here – Indicator
  13. Song A – Live Jimi Presley
  14. Revelations – Tim Hopwood And Joe Van Der Linden
  15. Love Breaks Time – Madele Vermaak
  16. N3 East – Nishlyn Ramanna
  17. Mind The Gap – Nia Collective
  18. Raglan Road – The Koeksusters
  19. National Madness – The Aeroplanes
  20. Shot Down – Cherry Faced Lurchers
  21. Leave This Town – One Large Banana
  22. Where Are You Going? – The Kiffness
  23. Kaptein – Radio Kalahari Orkes
  24. A 2 Soul Thing – Barry Sweetman
  25. Who’s Your Memory – The Buckfever Underground
  26. Welcome Back To Earth – Cassette
  27. Just Encasement – It Feels