Best South African Songs of 2022

At the beginning of each year we reflect on what we think were the best South African songs of the previous year. 2022 was another good year for South African music, with a healthy array of new music released. We are highlighting 24 songs which we think everyone should listen to.

Once again there were several new releases from veteran South African musicians. Ivan Kadey from late ’70s-early ’80s band National Wake, is back with a new band (IKD Band) and album, Edge of Time, from which we feature the title track. The album marks a shift from the more intense reggae-punk influenced music of yonder years towards a more subtle introspection. Robin Auld is another veteran South African singer with early roots in the SA punk-ska scene (with the Lancaster Band) who is still releasing new music. Auld has released solo albums for four decades now, and his latest, The Everlovin’ Wind is excellent. “About A Boy” is an upbeat track that implores you to get up and boogie.

There are several musicians who have more recently become veterans or are veterans-in-the-making (we are not quite sure at what point a musician becomes a veteran). Fuzigish have made a welcome return with a self-titled album, with the track “Believer” reminding us what a good ska-jol band they are. Also back with new releases are: Laurie Levine, the song “Dunes” is the title track of her EP; Nakhane, with the EP, Leading Lines, from which we feature “My Ma Was Good”; and Anna Wolf with the EP, Romance Was Born, from which we have taken “Heaven Breathes”. Zolani Mohala of Freshlyground released the single “Wawandithembisile”, a track featuring Kenza & Sun El Musician. “Snake Oil City” is taken from Dan Patlansky’s Shelter Of Bones album, which has been receiving good reviews far and wide. Lucy Kruger & the Lost Boys were back with the third of their trilogy of albums, release in consecutive years. “Risk” is taken from Teen Tapes (For Performing Your Own Stunts), yet another exceptional album. We have also included a single by Dope St Jude, “You’re Gonna Make It”.

The Kongos, like several of the musicians on this mixtape, are now based overseas (they are in the USA), and “Speak Free” is taken from their album 1929, Part 3. The London-based Soap Girls released the album In My Skin, which opens with the high-energy punkish “Breathe”, the track we have included here. “Malele” is taken from Montparnasse Musique’s self-titled EP, released by Real World Records.

Mongrel Records is an exciting newish South African label who have produced a steady flow of releases over the past few years. 2022 was a continuation of that. Apart from the aforementioned Fuzigish album, there were new releases (featured here) from Evert Snyman & the Aviary, the Pruning In The Dark album from which we have chosen “I Never Listen When You Speak”, and a few singles, including “Dead Flowers” by the Filthy Hippies, and “The Veneer” by A Million Ways To Die, a project of former No Friends of Harry band members, Rob McLennan and Dace de Vetta.

This mixtape also features some notable single releases by artists who are fairly new on the music scene: “Blacksnake Blues” by All Them Witches, “Triomf” by The Great Yawn, and “Polar Operational Environmental Satellite” by We Kill Cowboys.

There are also several songs from artists with first time official releases in 2022: Australian-based Ruby Gill’s debut album, I Forgot To Be Profound Today, is more than well worth listening to. We have included the title track. Vietnam-based Madele’ Vermaak released her debut EP, A Pocket Full Of Stones, from which we have selected “Love Breaks Time”. There were noteworthy single releases from by West Coast Wolves, (“Factory Of Bones”), Lokaly (“Breathing”), and East London band, Can Of Worms (“Pillow”). We look forward to more music from these artists in the next year or so.

Once again, we hope you enjoy most, if not all, these songs, and that you end up exploring details about the various musicians and their music. There are several 2022 albums and Eps we think are worth buying, or streaming, and we hope you do! Also look out for live performances, these artists rely on your support!

  1. Believer – Fuzigish
  2. I Forgot To Be Profound Today – Ruby Gill
  3. Wawandithembisile – Zolani Mohala featuring Kenza & Sun El Musician
  4. My Ma Was Good – Nakhane
  5. Edge Of Time – IKD Band
  6. Dunes – Laurie Levine
  7. Speak Free – Kongos
  8. Factory Of Bones – West Coast Wolves
  9. Breathing – Lokaly
  10. I Never Listen When You Speak – Evert Snyman & the Aviary
  11. All About A Boy – Robin Auld
  12. Malele – Montparnasse Musique
  13. Breathe – The Soap Girls
  14. Blacksnake Blues – All Them Witches
  15. Snake Oil City – Dan Patlansky
  16. Risk – Lucy Kruger & the Lost Boys
  17. Love Breaks Time – Madele’ Vermaak
  18. Triomf – The Great Yawn
  19. Heaven Breathes – Anna Wolf
  20. Polar Operational Environmental Satellite – We Kill Cowboys
  21. Dead Flowers – Filthy Hippies
  22. The Veneer – A Million Ways To Die
  23. Pillow – Can of Worms
  24. You’re Gonna Make It – Dope St Jude

Women’s Day 2022

This mixtape commemorates Women’s Day in South Africa. On the 9 th of August South Africans acknowledge the contribution made by women towards improving South African society. In particular, on the 9th of August 1956 over 20 000 women marched to the Union Buildings in Pretoria, to protest an extension of the apartheid government’s pass laws.

Accordingly, black women would also have to carry passes when travelling to ‘white’ urban areas. The march was led by Lillian Ngoyi, Helen Joseph, Rahima Moosa and Sophia Williams The women left 14 000 copies of a petition at the doors of prime minister, J. G. Strijdom. They stood for 30 minutes before singing a protest song composed especially for that occasion: “Wathint’ Abafazi Wathint’ Imbokodo” (You strike the women, you strike the rock).

Significantly, the protest saw feminists coming together to make a stand against institutionalized racism. Over the following decades South African feminists continued to define feminist struggle broadly, tackling racism, class inequality and sexism in an intersectional way.

This mixtape begins with Nothembi Mkhwebane’s interpretation of “Wathint’ Abafazi Wathint’ Imbokodo” before moving into a series of songs which celebrate South African women and women more generally: “Women of the World” by the Mahotella Queens, Yvonne Chaka Chaka’s “Legends”, Laurie Levine and Josie Field’s “Trailblazing”, Edi Niederlander’s “Strong Women in Africa” and “African Women” by Pamela Nkutha.

Dope St Jude (“Inside”) and Godessa (“Social Ills”) tackle beauty standards to which girls and women of colour are expected to conform. There follows a series of songs which explore issues about women’s day to day lives. In “Bay of Bombay” Jennifer Ferguson sings of the sacrifices mothers often make: “her eyes would look at the food she cooked, and the clothes she’d clean and iron” all the time her thoughts escaping to “the ships floating on some bay.”

Khaki Monitor describe a young woman “Trying to Make Sense” and in “Mama Shabalala” Juluka describe the struggle of an old refugee woman “looking for a simple home … living from hand to mouth, dodging the wrong arm of the law.”

In “Mother Agriqua” Vusi Mahlasela tells the story of Saartjie Baartman, taken to Europe as a spectacle to be gazed at: an example of the African “other”, both alive and dead (as a museum exhibit). Finally her remains were returned to South Africa and buried. “Wenu se Goli” by Madosini Manquina documents the difficulty of life for rural black South Africans, when men had to leave home to go to work on the mines. The song is an open letter to a migrant mine worker informing him that because he has been away so long his wife’s love is over and she has been unfaithful. Miriam Makeba’s “Welela” is also about the effect of migrant work, but this time the song is about children calling for their mother to return because they long to see her.

Sexual violence is a theme addressed in depth in several songs included here. South Africa’s biggest shame is the widespread sexual violence by men towards women. In “Icala” Busi Mhlongo warns, ‘Don’t ever raise your hand at your woman”. Freshlyground wrote “Gone Gone Gone” (song for Khwezi) as a dedication to Fezekile Ntsukela Kuzwayo, who accused Jacob Zuma of raping her. Her treatment during the trial that followed was appalling, as she was victimized by Zuma’s supporters. In the end Zuma was controversially acquitted of the rape charges. “41 000 Sisters” by Kaalvoet Prinses (Tremaine Barnes) is a song of solidarity with women who have been subjected to sexual violence (41 000 is the average number of reported rapes in South Africa between 2015 and 2019) and is representative of the Barefoot Campaign, a stand against the rape and sexual abuse of women.

Karen Zoid in turn calls for “Justice! Justice!” She angrily demands “Lock away the rapists and throw away the key.” In “Signs” the Pressure Cookies remind us how, when reporting sexual abuse, women are often made to feel guilty about the venues they frequented, the way they were dressed, who they got a lift with, and in fact, they stand accused of failing to “stay behind closed doors”.

The mixtape ends with two songs by male singers providing a critique of sexism. Matthew Van Der Want’s “Lonesome Hero” is a satirical song from the point of view of a woman who wants her lover to experience freedom, but it becomes clear that the experience of freedom which she offers her lover is at her own expense. The song thus questions freedom in a relationship and how in a heterosexual relationship women often sacrifice their own freedom in favour of that of their partners. “Show Luv” by Skwatta Kamp is a hard-hitting attack on men who abuse women, making it clear that such behaviour is never acceptable.

  1. Wathint’ Abafazi Wathint’ Imbokodo – Nothembi Mkhwebane
  2. Women of the World – Mahotella Queens
  3. Legends – Yvonne Chaka Chaka
  4. Trailblazing – Laurie Levine & Josie Field
  5. Strong Women in Afrika – Edi Niederlander
  6. African Women – Pamela Nkutha
  7. Inside – Dope St Jude
  8. Social Ills – Godessa
  9. Bay of Bombay – Jennifer Ferguson
  10. Trying to Make Sense – Khaki Monitor
  11. Mama Shabalala – Juluka
  12. Mother Agriqua – Vusi Mahlasela
  13. Wenu se Goli – Madosini Manquina
  14. Welela – Miriam Makeba
  15. Icala – Busi Mhlongo
  16. Gone Gone Gone – Freshlyground
  17. 41 000 Sisters – Kaalvoet Prinses
  18. Justice ! Justice ! – Karen Zoid
  19. Signs – Pressure Cookies
  20. Lonesome Hero – Matthew VD Want
  21. Show Luv – Skwatta Kamp